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Where once Norton may have been credited with the screenwriting role, either in his own name or under a pseudonym, the credit is rumoured to have been removed.

He attended Yale University, graduating in 1991 before moving to New York to act off-Broadway.

In Primal Fear, he took the role of Aaron Stampler, an innocent young man accused of a brutal murder, for which he picked up a Golden Globe and Oscar nominations. Off screen, he is generally known for his reluctance to embrace his celebrity status, and once said in an interview: "If I ever have to stop taking the subway, I'm gonna have a heart attack." But while a prolific actor, and boasting a slew of good-looking female conquests under his belt (Courtney Love and Hayek among them), Norton is no conventional leading man.

Many critics believe he could not carry a film or project with the same sex appeal as, say, Harrison Ford or Brad Pitt.

Yet he is still more than willing to throw his sometimes monstrous weight around.

This weekend, the makers of the new Incredible Hulk film – the story of an ordinary man with a destructive alter ego – are experiencing an unfortunate case of life imitating art.

The opening two days of a major movie are traditionally the time when actors do interviews with magazines and appear on television talk shows.

In response, Kaye said Norton had replaced him to put himself in more scenes, slamming the actor in trade-paper advertisements that derided him as "narcissistic".

Fast forward to 2002 and Death to Smoochy, about a children's show host targeted for assassination. Despite portraying what the costume designer Jane Ruhm described as a hippie, Norton commissioned a suit made of hemp from Armani.

That's both a blessing and a curse." Add to this 2002's Frida, a portrait of the Mexican artist Frida Kahlo.

Although the screenwriters Gregory Nava, Diane Lake and Clancy Sigal received credit for the script, the producer-star Salma Hayek hired Norton, her boyfriend at the time, to research the role extensively.

The press surrounding his curriculum vitae paints a portrait of an ambitious 38-year-old control freak aiming to punch above his weight.

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